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Le daim

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Directed by Quentin Dupieux. . audience Score 2800 Vote. Writed by Quentin Dupieux. Comedy. duration 77 minutes. Bandes-annonces Casting Critiques spectateurs Critiques presse Photos VOD Blu-Ray, DVD Bande-annonce Ce film en VOD Spectateurs 3, 0 2150 notes dont 263 critiques noter: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Envie de voir Rédiger ma critique Synopsis et détails Georges, 44 ans, et son blouson, 100% daim, ont un projet. Distributeur Diaphana Distribution Récompenses 8 nominations Voir les infos techniques Regarder ce film à partir de (5. 99 ) 4. 99 ) Voir toutes les offres VOD Service proposé par Le Daim DVD (DVD) Voir toutes les offres DVD BLU-RAY 1:16 Interviews, making-of et extraits 4 vidéos Acteurs et actrices Casting complet et équipe technique Critiques Presse Elle GQ Libération 20 Minutes Bande à part BIBA Cahiers du Cinéma CinemaTeaser CNews Dernières Nouvelles d'Alsace La Voix du Nord L'Ecran Fantastique Le Dauphiné Libéré Le Figaro Le Journal du Dimanche Le Monde Le Nouvel Observateur Le Parisien Le Point Les Inrockuptibles L'Express Mad Movies Marianne Marie Claire Ouest France Paris Match Positif Rolling Stone Sud Ouest Voici Ecran Large La Croix Les Fiches du Cinéma Télé Loisirs Télérama Culturebox - France Télévisions Première Chaque magazine ou journal ayant son propre système de notation, toutes les notes attribuées sont remises au barême de AlloCiné, de 1 à 5 étoiles. Retrouvez plus d'infos sur notre page Revue de presse pour en savoir plus. 40 articles de presse Critiques Spectateurs Le film de Quentin Dupieux ne dure que 1h17, ce qui est presque un record de brièveté. Cela dit, il na nul besoin de durer plus longtemps car, même en y mettant la meilleure volonté du monde, ce film absurde met quand même assez mal à laise très vite. Labsurde, le non-sens, moi je nai rien contre, au contraire. Ici, cest un absurde noir, presque psychiatrique, et il faut faire un vrai effort pour accepter ce postulat pendant... Lire plus Absurde et bizarre, il n'y a pas de doute, nous sommes bien face à un film de Quentin Dupieux. Georges est un homme qui quitte tout du jour au lendemain pour s'acheter un blouson en daim avec lequel il va tisser une relation particulière. Une relation fétichiste poussée à l'extrême, jusqu'à la folie. C'est vrai que le blouson est important, autant que la matière du daim, mais on peut également parler de ce caméscope qu'il reçoit en... Ce film est très spécial et ne va pas plaire à tout le monde c'est certain. Pour ma part, je suis mitigée, d'un côté je l'ai trouvé intrigant, captivant durant toute la première moitié et d'un autre côté, il se trouve que toute la seconde moitié cela part trop en vrille, dans le gore, l'absurde et c'est franchement dérangeant. Bon en même temps, quand on connaît le réalisateur, c'est conforme à son univers et il faut aller voir... Amis des bêtes, vous ne verrez pas (ou si marginalement. ces charmants cervidés ( Le Daim" pourtant. dans le nouvel opus Dupieux, mais un héros à très nette araignée au plafond! Georges" milieu de quarantaine fatigué, est en rupture. D'un peu tout: conjugalité, sociabilité, employabilité. Il pille le compte commun, et part acheter (sur petite annonce) un blouson moche et démodé (avec franges) trop petit pour lui, et au... 263 Critiques Spectateurs Secrets de tournage Filmer la folie Avec Le Daim, Quentin Dupieux voulait filmer la folie. S'il a létiquette dun réalisateur qui fait des "films fous" il reconnaît n'avoir jamais vraiment filmé la folie en face même si Steak, Rubber, Réalité et Au Poste! ont quelque chose qui s'en rapproche fortement. Le metteur en scène explique: Mais il y a toujours eu dans mes films précédents des astuces pour que la folie soit plutôt un truc « rigolo » et hors du réel. Cest... Festival de Cannes 2019 Le Daim est présenté à la Quinzaine des Réalisateurs au Festival de Cannes 2019 en film d'ouverture. Le long métrage marque par ailleurs la première venue sur la Croisette de Quentin Dupieux, toutes sélections confondues. 1er film d'horreur Même sil y a souvent eu, dans ses précédentes réalisations, un aspect angoissant, Quentin Dupieux voit Le Daim comme son premier film dhorreur. Le cinéaste confie: Dans mes films précédents, il y a toujours eu quelque chose qui mettait lhorreur à distance. On peut se dire que ce sont des cauchemars avec leurs lots de violence absurde, que tout ça nest pas vrai. Là, jai voulu avec Le Daim me rapprocher du fait-divers, en restant t... 5 Secrets de tournage Dernières news 19 news sur ce film Si vous aimez ce film, vous pourriez aimer... Voir plus de films similaires Pour découvrir d'autres films: Les meilleurs films de l'année 2019, Les meilleurs films Comédie, Meilleurs films Comédie en 2019. Commentaires.

"French absurdist Quentin Dupieux, also known as Mr. Oizo in the music sphere, emerging with his mega-single FLAT BEAT circa the millennium, he is a computer wiz adept in sampling an aleatory style of electronic beats and strains. Starting from directing music videos, his sideline diet of filmmaking has a consistent output since NONFILM (2002) with sui generis quirks like RUBBER (2010) and WRONG (2012) DEERSKIN is his eighth feature, debuted in the Directors' Fornight at Cannes, it is by far his most hyped one, not least by the headliners of Jean Dujardin and Adèle Haenel."
read my full review on my blog: cinema omnivore, thanks.

Le&daim&Stream&Films&en&Français

. This picture must be a Tv-series! Perfect trailer first of all.
Jean Dujardin is great in the role of narcissistic man who got hit by life. Scenario is so perfect, it's clearly neutral at the beginning. First I was thinking - it's a drama, not comedy.
But then all around started to be so exciting. You can't imagine this mix of clever narcissistic man starting to be a little bit crazy. But it shown you with a serious face, and this makes it even funnier.
Quentin Dupieux made a great picture, very interesting and 70% of time fun to watch.

 

FRANCE, 77 minutes, 2019 Quentin Dupieuxs latest is a serial-killer film about a jacket that wants to kill all other jackets and its unhinging effect on its owner. What starts out as a banal incident takes a sharp, chilling turn into Crazytown. Dujardin checking out his “killer style” is definitely one of the best movie moments of the year. His performance – coupled with that of Adèle Haenel, equally bonkers – takes an already strange film right around the bend, culminating in a surprising insight about madness. No doubt about it, Dupieux is still one of the most freewheeling filmmakers in France, or anywhere. In collaboration with the Festival du cinéma international en Abitibi-Témiscamingue. a loopy entertaining WTF lark. Variety. deliciously twisted. The Guardian « Alors, mine de rien, à sa façon borderline et très peu sentimentale, Quentin Dupieux parvient à filmer rien moins quune rencontre. Ce film à la fois inquiétant et hilarant en devient alors, oui, émouvant. » Libération «. une des plus belles réussites de ce drôle dOizo. » Le nouvel observateur.

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8 nominations. See more awards  » Videos Learn more More Like This Comedy 1 2 3 4 5 6 7 8 9 10 6. 7 / 10 X Police officers at a station must solve a murder case. Director: Quentin Dupieux Stars: Benoît Poelvoorde, Grégoire Ludig, Marc Fraize 6. 9 / 10 A wanna-be director is given 48 hours by a producer to find the best groan of pain, worthy of an Oscar, as the only condition to back his film. Alain Chabat, Jonathan Lambert, Élodie Bouchez Drama, Romance 8. 2 / 10 On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. Céline Sciamma Noémie Merlant, Adèle Haenel, Luàna Bajrami Fantasy Horror 5. 8 / 10 A homicidal car tire, discovering it has destructive psionic power, sets its sights on a desert town once a mysterious woman becomes its obsession. Stephen Spinella, Roxane Mesquida, Wings Hauser Mystery 6. 3 / 10 Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others. risking his sanity all the while. Jack Plotnick, Todd Giebenhain, Eric Judor Adventure Thriller 7. 2 / 10 On a remote mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow. Alejandro Landes Sofia Buenaventura, Julián Giraldo, Karen Quintero Crime 7. 1 / 10 A young boxer and a call girl get caught up in a drug-smuggling scheme over the course of one night in Tokyo. Takashi Miike Becky, Bengal, Masayuki Deai 6. 6 / 10 A Belgian teenager hatches a plot to kill his teacher after embracing an extremist interpretation of the Quran. Directors: Jean-Pierre Dardenne, Luc Dardenne Idir Ben Addi, Olivier Bonnaud, Myriem Akheddiou Certificate: PG Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine. Elia Suleiman Elia Suleiman, Tarik Kopty, Kareem Ghneim Certificate: 14A 7. 7 / 10 Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation. Ken Loach Kris Hitchen, Debbie Honeywood, Rhys Stone Sci-Fi 6 / 10 George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At. See full summary  » Eric Judor, Ramzy Bedia, Jonathan Lambert Short 8. 4 / 10 Three friends, hanging around in a cafe, make plans on where to go. Empty coffee cups on the table show that they have been there some time. Affected by the monotony, they begin to tease each other and passersby. Nart Zeqiraj Nol Berisha, Joe Chen, Gjin Kastrati Edit Storyline A man's obsession with his designer deerskin jacket causes him to blow his life savings and turn to crime. Plot Summary Add Synopsis Details Release Date: 20 March 2020 (USA) See more  » Box Office Budget: EUR4, 000, 000 (estimated) Cumulative Worldwide Gross: 1, 656, 279 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Selected for Directors Fortnight Cannes Film Festival 2019 (open film) See more » Connections References Pulp Fiction  (1994) See more » Soundtracks Don't make the good girls go bad ( Clarence Reid (as Clarence Henri Reid) Jack Corbitt) Performed by Della Humphrey (c) 1968 by Dandelion Music Co & Sherlyn Publishing Co for the world - All rights reserved (p) With the permission of Jamie Record Co. See more ».

DOWNLOAD MOVIE Le daim. Watch {Le daim} Full Movie Online Stream. Can't remember last time that I saw a movie so stupid. By  Quentin Dupieux synopsis A man's obsession with his designer deerskin jacket causes him to blow his life savings and turn to crime. international title: Deerskin original title: Le Daim country: France, Belgium, Switzerland sales agent: WTFilms year: 2019 genre: fiction directed by: Quentin Dupieux film run: 77' release date: BE 15/05/2019, FR 19/06/2019 screenplay: Quentin Dupieux cast: Jean Dujardin, Adèle Haenel, Albert Delpy, Pierre Gommé, Laurent Nicolas, Coralie Russier, Stéphane Jobert, Franck Lebreton, Marie Bunel, Panayotis Pascot cinematography by: Quentin Dupieux art director: Joan Le Boru costumes designer: Isabelle Pannetier co-producer: Serge de Poucques, Sylvain Goldberg, Cédric Iland, Nadia Khamlichi, Adrian Politowski, Olivier Père executive producer: Mathieu Verhaeghe, Thomas Verhaeghe associate producer: Gregory Chambet, Dimitri Stephanides production: Atelier de Production, ARTE France Cinéma, Nexus Factory, Umedia, Garidi Films backing: CNC (FR) distributor: Diaphana Distribution, Distri7.

Jean Dujardin admires his new jacket in Quentin Dupieuxs Le Daim (Deerskin. When a French movie is described as a “comedy” and has a July release date in Paris, it almost invariably means that (1) its a generic film about a chaotic summer holiday with families/groups of mature male friends/bands of teens behaving disgracefully, and (2) its not remotely funny. Accordingly, I went to see the new comedy Le Daim (Deerskin) in a state of trepidation, relieved to know that even if it was a hellish experience, the torture would only last for one hour and 17 minutes. Le Daim, directed by Quentin Dupieux and starring Jean Dujardin (of The Artist fame) turns out to be something altogether different than the usual mediocre summer fare. It is infinitely stranger, more anguished and funnier, and is – dare I say it? –   a masterpiece. The central character, Georges (Dujardin at the top of his game) arrives on screen with almost no backstory: all we learn about him is that he has left his wife and job and is driving to the Pyrenees. On the way, he stuffs his corduroy jacket down the toilet of a service-station washroom and buys an ill-fitting fringed deerskin jacket for an outrageously high price, then checks into a small-town hotel. The man who sold him the jacket had also given him a free digital camcorder, which allows him to pose as a filmmaker in the town. The new jacket would seem to symbolize Georgess desire to start his life anew, but it immediately takes on a bizarre importance and personality of its own. Georges starts filming it with his camera and even gives the jacket its own voice. We quickly realize that Georges is a man in the grip of a severe mental breakdown, and, even more worryingly, is a psychopath in the making. His one abiding fixation becomes the elimination, at all costs, of every other jacket in the world. With the help of Denise (Adèle Haenel) a bartender whose dream is to become a movie editor, he starts filming members of the local community (who think they are starring in his film) as they throw away their own jackets at his behest. Spoiler alert: skip this paragraph if you prefer not to know certain plot details.   Dupieux manages to portray the townspeople as both utterly ordinary and deeply weird. As Georges accumulates more deerskin items (hat, trousers, gloves) and starts murdering anyone wearing a jacket, the body count increases. Each death seems to remain undiscovered and uninvestigated as he continues his killing spree. Plausibility has no place in this cinema of the absurd. Apart from everything relating to his coat, Georges also films the wild deer in the area. Dupieux is clearly fascinated by the relation between animal and commodity and by the disconnect between material objects and the living creatures from which they are made. The movie is also a meditation upon the filmmaking process: the directors obsessions and the ambitions of those who will do anything to work or act in films. It cannot be a coincidence that Dujardin, who has gained a few extra pounds and a beard for the role, looks disconcertingly like the director himself. After such an extraordinary movie, it is difficult to look at the ordinary world in the same way. When my friend and I left the cinema, the streets and the people of Paris seemed a whole lot more peculiar than they had an hour and 17 minutes earlier.

You are here: Home » 2019 » Le Daim 52nd edition from May 13 to 23, 2020 Fortnight 2019, Feature film, 1h17 World premiere Synopsis Georges, 44 years old, and his jacket, 100% deerskin, have a plan. Director Quentin Dupieux Quentin Dupieux is a self-taught filmmaker/musician born in 1974. He made short films as a teen and sold one of them to Canal+ when he was 19. Simultaneously, Quentin Dupieux started making electronic music under the pseudonym Mr. Oizo. He released his first album in 1996. In 1999, he directed a series of commercials with Flat Eric, a yellow puppet. He sold more than 3 million copies of Flat Beat, the music that he created for that ad campaign. In 2007, Quentin Dupieux wrote and directed his first feature-length film, Steak. Will follow Rubber, Wrong, Wrong Cops, Reality and Keep an Eye Out. He regularly releases electronic music albums. Deerskin is his seventh feature film. Casting Team Production Screen shots Adèle Haenel Albert Delpy Coralie Russier Jean Dujardin Laurent Nicolas Pierre Gommé screenplay photography sound Guillaume Le Braz, Alexis Place, Gadou Naudin, Cyril Holtz production design Joan Le Boru editing production Atelier de production 41 rue Saint Augustin 75002 Paris – France T: 33 1 88 32 08 66 coproduction Arte France Cinéma (France) Nexus Factory (Belgique) Umedia (Belgique) Garidi Films (Suisse) foreign sales WTFilms 20 rue Bachaumont T: 33 1 42 61 09 83 distribution Diaphana Distribution 155 rue du Faubourg Saint-Antoine 75011 Paris – France T: 33 1 53 46 66 66 publicist France Monica Donati T: 33 1 43 07 75 22 Internationale Ryan Werner Cinetic Media T: 1 212 204 79 51 Jill Rosen T: 1 917 326 0145 Title in Original Version: Deerskin Release date: 19 June 2019 Cannes projection May 15 8h45 Théâtre Croisette 19h30 22h00 May 16 14h00 Cinéma Le Raimu 19h Studio 13 May 17 Cinéma Alexandre III May 24 Press release Quentin Dupieux signe son film le plus réussi, une fantaisie horrifique totalement cintrée. Le Monde Il est dément. En Georges, le psychopathe du film de Quentin Dupieux, Jean Dujardin déchire lécran. Libération (…) a hilarious Dujardin performance and the filmmakers inspired fashion conceit yield an enjoyable diversion from a filmmaker with nothing to prove. IndieWire Comédie horrifique et réjouissante de Quentin Dupieux. Marianne Un film étonnant, porté par Jean Dujardin. Les Inrocks La nouvelle comédie horrifique de Quentin Dupieux. Trois couleurs LE DAIM va de surprise en surprise, de réplique lapidaire en dialogue corsé. Cinema Teaser De retour avec un film fou. Konbini Un conte dune folie extraordinaire. LHumanité son  Daim fait sensation. Maze Avec # LeDaim, Quentin Dupieux filme lubuesque avec une rigueur exemplaire et un vrai sens du cinéma. Mehdi Omaïs sur Twitter Une descente aux enfers de la mégalomanie traitée avec lhumour décalé et absurde de Quentin Dupieux. Télérama.

Critics Consensus Led by a daring performance from Jean Dujardin, Deerskin finds writer-director Quentin Dupieux working in a more accessible. yet still distinctive. vein. 88% TOMATOMETER Total Count: 40 80% Audience Score User Ratings: 15 Deerskin Ratings & Reviews Explanation Deerskin Photos Movie Info In this black comedy of middle-aged masculinity gone awry, Academy Award winner Jean Dujardin (The Artist) is a recent divorcee who becomes obsessed with a vintage fringed deerskin jacket that begins to exert an uncanny hold on him. Set in a sleepy French alpine village, he falls into the guise of an independent filmmaker and befriends a trusting bartender and aspiring editor (Adèle Haenel, Portrait of a Lady on Fire) who becomes his collaborator on a movie that will document a surprising new goal he sets himself. Rating: NR Genre: Directed By: Written By: In Theaters: Mar 20, 2020 limited Runtime: 77 minutes Studio: Greenwich Entertainment Cast Critic Reviews for Deerskin Audience Reviews for Deerskin There are no featured reviews for Deerskin because the movie has not released yet (Mar 20, 2020. See Movies in Theaters Deerskin Quotes Movie & TV guides.

YouTube. The latest oddball concoction from French iconoclast Quentin Dupieux stars Jean Dujardin as a man who falls in love with his jacket. After making, among others, a movie about a tire with a killer instinct and a film about telepathy between humans and animals — Rubber (2010) and  Wrong  (2012) respectively — why not also tell a story about a guy who falls head-over-heels in love with his fringed suede jacket? Its all in a days work for French oddball musician and occasional director Quentin Dupieux, who opened the Cannes Directors Fortnight this year with his slight but quite amusing  Deerskin (Le Daim. The Artist  star Jean Dujardin plays a clueless wannabe filmmaker wholl go to great lengths to become the sole person on the planet — or at least the mountain village where hes checked into a creepy hotel — to actually wear a coat. And it is Dujardins presence thatll ensure a greater measure of visibility than usual for a Dupieux project. But despite a few good gags and committed performances, the nagging suspicion that this eccentric concept wouldve worked better as a medium-length work or even a short remains. Itll be released in France on June 19. The film, in the washed-out colors familiar from Dupieux previous work, opens with a strange scene that sees three youths line up and, one after the other, dump their jackets into the trunk of a beat-up old Audi while they solemnly proclaim: “I swear to never wear a jacket again for as long as I live. ” This later turns out to be part of a film-within-a-film thats being shot, with a tiny camcorder and zero cinema experience, by Georges (Dujardin) a deadbeat dumped by his wife. Perhaps as a way to deal with his misfortune, he has driven to a small village in the Alps to buy a 9, 000 jacket made of the titular material from an elderly slob (Julie Delpys actor father Albert, in a cameo. Never mind that its kinda small on his burly frame: George feels like, well, nine thousand bucks. As a bonus, the old man gives Georges an old camcorder, which becomes the prop that informs the lie that hes actually in town to make a film (hes supposedly alone because his fancy producers are in Siberia for an elaborate fight scene. This duly impresses the local bartender, Denise (Adele Haenel, from  BPM) an amateur editor and full-time gamine who becomes involved in Georges completely improvised plan to make a mockumentary. The subject is a ruthless man much like him, who will do anything to become the sole person in the world allowed to wear the only jacket left in existence, so his prized new possession can finally truly shine; the coat is a supposed metaphor for the hard shell we all need to shield ourselves from the harsh outside world. Dupieux, who, as usual, also wrote the screenplay and handled camera duties, has lost none of his sense of mischief. There are a few very amusing moments, including a nightly encounter with a woman who incorrectly guesses the type of film Georges is shooting and another scene in which the sad-sack protagonist tries to get his wedding ring off the corpse of a hotel clerk who committed suicide by shooting himself in the face. Denises deadpan explanation of her experience with the scrambled chronology of  Pulp Fiction  is also worth a laugh while  Deerskin s ending is brilliantly futile, which feels entirely fitting for such an absurd story, even if narrative momentum is abruptly cut short. But the actual plot is, of course, wafer-thin and the whole thing would fall apart if it werent for the committed performance from Dujardin. The actor, in a graying beard and with unkempt hair, has played this kind of crazy and opportunistic loser before, most recently in last years  I Feel Good   but also going back all the way to his creation of  Brice de Nice, which turned him into a movie star. Here, too, his Georges feels fully inhabited even though we only get a tiny sliver of backstory. When he starts speaking to his suede jacket on a clothes stand and then impersonates the jackets voice so the two can have a dialogue, it feels just like something a desperate, lonely and self-satisfied man like Georges would do. Denise and all other parts are really supporting players who are witnesses to — and occasionally unwitting participants in — Georges private madness. In terms of its world building, Dupieux and the production and costume designers have made a serious effort to ground things in a more recognizable reality than in most of the directors previous outings. But the filmmakers tendency to only use violence for laughs and ignore its real-life consequences undermines this attempt to inject some gravitas into  Deerskin s otherwise lovingly detailed backdrop. Somewhat oddly, the musician and director didn't provide a score himself this time around, instead fully relying on pre-existing music. Production companies: Atelier de production, Arte France Cinema, Nexus Factory, Umedia, Garidi Films Cast: Jean Dujardin, Adele Haenel, Albert Delpy, Pierre Gomme, Laurent Nicolas, Coralie Russier Writer-Director: Quentin Dupieux Executive producers: Thomas Verhaeghe, Mathieu Verhaeghe Director of photography: Quentin Dupieux Production designer: Joan Le Boru Costume designer: Isabelle Pannetier Editor: Quentin Dupieux Sales: WT Films Venue: Cannes Film Festival (Directors Fortnight — Opening Film) In French No rating, 75 minutes.

From Wikipedia, the free encyclopedia Jump to navigation Jump to search Deerskin Directed by Quentin Dupieux Written by Quentin Dupieux Starring Jean Dujardin Cinematography Quentin Dupieux Edited by Quentin Dupieux Production company Atelier de production Distributed by Diaphana Distribution Release date 15 May 2019 ( Cannes) Running time 77 minutes Country France Language French Deerskin ( French: Le Daim) is a 2019 French comedy film directed by Quentin Dupieux. It was screened in the Directors' Fortnight section at the 2019 Cannes Film Festival. [1] 2] Cast [ edit] Jean Dujardin as Georges Adèle Haenel as Denise Albert Delpy as Monsieur B. Coralie Russier Laurent Nicolas Pierre Gommé References [ edit] Keslassy, Elsa (4 April 2019. Cannes: Deerskin With Jean Dujardin to Open Directors' Fortnight. Variety. Retrieved 19 April 2019. ^ Goodfellow, Melanie. "Cannes Directors' Fortnight unveils genre-heavy 2019 selection. Screen Daily. Retrieved 23 April 2019. External links [ edit] Deerskin on IMDb v t e Films directed by Quentin Dupieux Nonfilm (2001) Steak (2007) Rubber (2010) Wrong (2012) Wrong Cops (2013) Reality (2014) Keep an Eye Out (2018) Deerskin (2019) This article related to a French film of the 2010s is a stub. You can help Wikipedia by expanding it. This film article about a 2010s comedy is a stub. You can help Wikipedia by expanding it. Retrieved from. film) oldid=931347932 " Categories: 2019 films French-language films 2010s crime comedy films French films Films directed by Quentin Dupieux French crime comedy films 2010s French film stubs 2010s comedy film stubs Hidden categories: Articles with short description Use dmy dates from December 2019 Articles containing French-language text All stub articles.

I was expecting an absurd comedy. This was not a comedy, although I did laugh twice. A middle aged man pays a fortune for a 60s deerskin jacket. Then, broke, he meets a waitress who is a wannabe film editor. Then. erm. steals other jackets from kids, posing as a film director using an obsolete camcorder. Then at 39 into the barely 73 minutes film's length I stopped watching.